Tzolk'in/Count of Days transforms Mexico City's renowned National Museum of Anthropology (built in 1964) into a defamiliarized architectural site inhabited by the ghost-like figures of tourists and workers who move through it. In moments, these figures share the frame with spectral artifacts from the territory's pre-Colombian past, while in other instances, the artifacts burst rapidly onto the screen as ethereal objects in exaggerated color and aliveness. Tzolk’in features the minor Mayan artifacts of the museum's holdings offsetting the spatial design of the building and grounds, which intentionally centralized Mexico's prominent Aztec civilization.
Rini Yun Keagy is a moving image artist whose practice in video and 16mm film is multimodal and research based. Her work investigates race, labor, disease and disability, and sites of historical and psychosocial trauma. She has taught filmmaking at University of California Santa Cruz, University of the Arts, Minneapolis College of Art & Design, and Carleton College.
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